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Fandango Ties Streaming To Ticketing

Show Notes
Versant just jammed two years of strategy into a single week, moving Fandango into original content and tying streaming directly to movie ticketing. Fandango’s revival of Bad Girls Club with a new reunion special is more than nostalgia—it’s a test of whether free streaming can actually move the needle on ticket sales. By pairing bingeable content with direct ticket offers for the upcoming Hunger Games film and striking a deal to embed ticketing in Plex’s platform, Fandango is betting it can prove ad dollars turn into real box office. For advertisers, the appeal is direct attribution: see which ads lead to ticket purchases, finally putting numbers behind the hype.
But here’s the catch. Free streaming boosts views, but conversion is the real battleground—if viewers don’t turn into moviegoers, the bet flops. Meanwhile, Versant is stretching E!’s red carpet coverage into the WNBA Finals, blending pop culture with sports to create new sponsor-friendly inventory during a record-breaking season. It’s a calculated play: if sponsors bite and ratings hold, Versant can justify expanding these crossover specials. If not, it’s just more costs with little upside.
Featuring insights from Versant’s Val Boreland, Jerramy Hainline, and CFO Anand Kini, plus reporting from Front Office Sports.
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